Staged beyond Christmas… The Christmas Tree Worms

For the last #MaritimeMonday of the year, your #NationalMuseumPH highlights the Kraak porcelain from the San Diego shipwreck.

San Diego sank on December 14, 1600 near Fortune Island, Batangas after defeat by the Dutch ship Mauritius. The cargo predominantly comprised of Chinese porcelain specifically from the Wanli Period (1573–1619) of the Ming dynasty (1368–1644). Read more about the vessel’s story here: https://tinyurl.com/SagaOfTheSanDiego 

Kraak porcelain are characterized by their elaborate and striking decorations in blue underglaze organized within foliated radial panels. These kraak wares appeared at the very end of the 16th century and became the mainstream export porcelain produced in Jingdezhen and Zhangzhou, China. The term kraak was derived from ‘carrack’, a type of Portuguese ship seized by the Dutch with cargos of panelled Chinese porcelain in different forms. They are also known for being light and durable, characterized by thin base and foot rim as well as having chatter marks on the base. These were common features brought about by mass production in the Wanli Period that were extensively exported. 

The deer motif is the most representative pattern of the San Diego kraak porcelain. The evident mass production of kraak porcelain indicated that production centers adjusted themselves to cater the demands and tastes of the overseas markets. This resulted to export of visually similar porcelain wares from different kilns. This is an important period where a new affinity in the style of maritime trade was reflected as it transitioned to the 17th century.

Your #NationalMuseumPH is now open to the public. While the San Diego gallery undergoes reconstruction, you may see and appreciate other significant shipwreck artifacts in the ‘300 Years of Maritime Trade in the Philippines’ exhibit located at the National Museum of Anthropology. You may book a slot through this website. Remember to #KeepSafe by practicing minimum health protocols while viewing our galleries. You may also experience the virtual tour of the exhibit by clicking on this link: https://tinyurl.com/300YearsOfMaritimeTradePH 

#KraakPorcelain

#SanDiegoShipwreck

#StaySafe

#BeatCOVID19

#MuseumFromHome

Text and poster by the NMP Maritime and Underwater Cultural Heritage Division

© National Museum of the Philippines (2021)

The #NationalMuseumPh commemorates Rizal Day with his rare oil on canvas painting of her eldest sister Saturnina Rizal Hidalgo.

Born on June 19, 1861, in Calamba, Laguna, Dr. Jose P. Rizal was widely recognized as a polymath with extraordinary intellectual power and remarkable artistic talent. He was educated in Manila and Europe and excelled in poetry, history, politics, architecture, sociology, medicine, and the arts. As an ophthalmologist, he became a well-respected and sought-after physician in Calamba, Laguna, Hongkong, and during his exile in Dapitan, Zamboanga del Norte. As a literary master, his novels “Noli Me Tangere” and “El Filibusterismo” were considered dominating forces in advancing the patriots’ plan for a revolution. And as a visual artist, Dr. Rizal created figurative representations and portraits of significant personalities he encountered traveling to Europe and during his exile in Dapitan.

The National Museum of Fine Arts houses an exhibition dedicated to works by and about our National Hero, the “Inspiring the Nation, Dr. Jose Rizal: The National Hero in Art.” Initially launched in 2012 as “The Hero in Art: Works by Jose Rizal and Portraits from the National Museum,” this exhibition honors the life and works of Dr. Rizal, celebrating his artistic excellence through his works from the National Fine Arts Collection and various private lenders. Among the exquisite works featured is Dr. Rizal’s portrait of his eldest sister, Neneng, or Saturnina Rizal-Hidalgo, which he painted when he was about 17 years old and is probably his only existing portrait in oil. Neneng stood as the hero’s second mother, who financially supported his brother’s education in Europe. Saturnina was married to Manuel Hidalgo of Tanuan, Batangas, and had five children.

Rizal Day is commemorated annually on the day Dr. Rizal was executed by the Spanish authorities on December 30, 1896, in Bagumbayan (now Luneta) to honor his life and contributions to society and the Philippine independence.

To know more about Rizal and his works, you may visit the “Inspiring the Nation, Dr. Jose Rizal: The National Hero in Art” exhibition in Gallery V of the National Museum of Fine Arts. You may also watch the exhibition’s virtual tour through this link: https://youtu.be/HMiP7JB1KFo/ .

#MuseumFromHome

#RizalDay

#NationalHero

Text by NMP FAD

Photo by NMP EEMPSD

©National Museum of the Philippines (2021)

In celebration of the Christmas season, this week’s #ArtStrollSunday series focusing on the 17th to early 20th-century art from the National Fine Arts Collection features Federico Estrada’s sculpture entitled “Holy Family” (1953).

The “Holy Family,” created in 1953 by Federico Estrada (1915-1999), won the second prize in the 1953 Art Association of the Philippines Art Competition. Engraved in this block of narra wood are the faces of the Virgin Mary, St. Joseph, and Jesus Christ.  The image of the Holy Family is a central theme in Christian art which symbolizes the Nativity or the birth of Jesus Christ. For Christians, the Nativity is the beginning of the Christmas season which celebrates the coming of Jesus Christ and the gift of salvation. 

This sculpture is featured in the recently launched exhibition at the National Museum of Fine Arts, Gallery XXIX, entitled “Lilok, Hulma, at Tipon.”

Federico D. Estrada was born on July 17, 1915, in Tondo, Manila. Estrada earned praises from his teachers at a young age because of his talent in drawing and mud sculpture. His talent also earned him a scholarship at the North American School of Drawing and a membership in its Art Club No. 95 as an award for winning in pencil sketching contest in 1928. He later studied at the UP School of Fine Arts but could only enroll from 1931-1932 because of a lack of funds. He then worked at the Manila Artistical Decoration Company as a sculptor designer from 1932-1938. There he met the Italian sculptor Pietro Amberti (died 1970). He learned the techniques of synthetic marble, floating strips, spray dotting, and general sculpting while working at Amberti’s atelier from 1932-1940. After the war in 1945, he worked as a senior artist at the U.S. Air Force. He participated in his first group exhibition in 1946 sponsored by the N.T.C. Art Club in Tanduay, Manila. From 1948-1950, he worked as an art director at the Movie Newsreel Magazine, as a chief artist at Bireley’s California Orange in Pasay, as a poster artist at Sampaguita Pictures, and as an art director at the Institute of Commercial Art. Some of his works won top prizes at the Art Association of the Philippines Art Competition from 1951-1953. One of these was the “Holy Family,” which won an award in 1953. 

In 1985, Estrada, who was a resident of Pasig, became the president of the Sining Kulturang Pasig. The following year, he founded the Portraitist Association of the Philippines, which mounted their first group exhibition entitled “Artist and Artist” at the National Museum. Some of his important works include the column statues in the San Agustin Church in Iloilo, the eagle casting and fountain project at the Manila Hotel, and the mural at the Municipal Building of Pasig. 

Estrada passed away on December 12, 1999, after suffering a cardiorespiratory arrest in his house in Pasig. 

We are now open! To visit the National Museum of Fine Arts, you may book a tour through this website. Please note the guidelines for visiting. You may also view the 360 degrees virtual tour of select NMFA galleries on the link https://www.nationalmuseum.gov.ph/nmfa360/HTML5/NMFA360.html. See you at the National Museum!

#ArtStrollSunday

#FedericoEstrada

#BeatCOVID19

Text by NMP-FAD

Photo by Bengy Toda

© National Museum of the Philippines (2021)

The #NationalMuseumPH honors Manlilikha ng Bayan Federico Caballero as he celebrates his 83rd birth anniversary today, 25 December. Federico Caballero was conferred the Gawad sa Manlilikha ng Bayan award in 2000 for his expertise in the Sugidanon, the epics of Central Panay. 

He learned to value the epics at an early age, as he and his siblings would listen to their great-great grandmother as she chants while lulling them to sleep in a hammock. He was then taught to chant the epics in exchange for his help in the fields and in household chores. 

As a culture bearer, he painstakingly persevered in the documentation of the 10 Panay Bukidnon epics which were rendered in a language that, though no longer spoken, is related to Kinaray-a. He worked with researchers to piece together the epics of Humadapnon and Labaw Donggon. He also encouraged the elders in the community to learn how to read and write so that they can document and preserve their indigenous traditions and beliefs. He sought help from the Bureau of Non-formal Education as he traveled to different barangays in this endeavor. 

Manlilikha ng Bayan Caballero is also a manughusay, or an arbiter of conflicts, who helps in resolving disputes at the local level. He believes that this practice prevents people from being alienated from each other and preserves the social fabric of their community. 

His upper male jacket bearing the panubok, the traditional embroidery of the Panay Bukidnon which uses designs derived from the environment, is displayed at the Manlilikha ng Bayan Hall at the National Museum of Anthropology in Manila. In order to physically visit the gallery, reserve your slot through this website and learn more about the life and works of the 16 Manlilikha ng Bayan.

#GAMABA
#ManlilikhaNgBayan
#FedericoCaballero
#PanayBukidnon

Text and poster by the NMP Ethnology Division and NCCA GAMABA Executive Council

© The National Museum of the Philippines (2021)

It’s Friday again! In today’s #DignayanBiyernes, let us talk about another renewable energy source we use – wind power.

Do you know that wind power has already been utilized by early civilizations thousands of years ago? At that time, windmills were used to crush grains or pump water. Today, modern turbines use the power of the wind to generate electricity.

To harness wind energy, wind turbines are installed in areas with intense wind speed. The wind then turns the blades of a turbine around a rotor, which then spins a generator that creates electricity. If wind speed is faster, more electricity will be generated. That is why wind turbines are getting taller to reach higher heights where the wind is stronger. 

With the increasing demand for a cleaner energy resource, wind power has become an attractive option worldwide.  And as our country’s demand for renewable energy is continuously rising, wind turbines are helping us diversify our energy resource aside from using fossil fuels in generating power.

Wind farms in the Philippines that are operating commercially include the Bangui Wind Farm, Caparispisan Wind Farm, and the biggest wind farm in our country, the Burgos Wind Farm located in Ilocos Norte; the Wind Energy Power System in Oriental Mindoro; the San Lorenzo Wind Farm in Guimaras, the Nabas Wind Farmin Aklan and Pililla Wind Farm in Rizal. 

For more information about the Philippines’ renewable energy resources, visit us at the National Museum of Natural History by booking through this website.

#NationalMuseumPh

#MuseumFromHome 

#StaySafe

Text and image by the NMP Geology and Paleontology Division

© National Museum of the Philippines (2021)