THE LONG WAIT IS OVER! 

The National Museum of the Philippines has finally launched National Artist Kidlat Tahimik’s INDIO-GENIUS: 500 Taon ng Labanang Kultural (1521-2021). 

We are also happy to announce that everyone can now view this exhibition on Saturday, OCTOBER 22, 2022, along with the reopening of the National Museum of Anthropology!

We invited our friends from the press for a media preview of the exhibition last Monday with “Tatay Kidlat” himself giving a tour of his installations depicting his quirky retelling of our cultural struggles throughout history. 

During the launch, Tatay Kidlat, joined by his fellow Indio-Genius, conducted a ceremonial performance – beginning with a “reenactment” of his cultural reawakening followed by various incantations by notable members of ethnolinguistic groups who have collaborated with the National Artist through the years.

Despite the on and off drizzle, members of the NMP Board of Trustees, the National Commission of Culture and the Arts, and other partner agencies and institutions came to celebrate the launching event. Also present in the reception were family, friends and colleagues, members of the academic community, fellow filmmakers, and other guests and artists from his hometown Baguio City.

Such great timing to open the third week of #MGM2022! Coming up this week are some special pop-up performances, including an immersive music and dance experience by UP Diliman’s Kontra-GaPi at the National Museum of Anthropology to kick off the exhibition’s public opening.

See you at your #NationalMuseumPH!

The National Museum of the Philippines invites you to a new and improved exhibition, entitled “Eskultor ng Bagong Lahi: Pagpupugay sa Buhay at mga Likha ni Guillermo Tolentino” / Sculptor of the New Spirit: Honoring the Life and Works of Guillermo Tolentino” at the Security Bank Hall, Gallery XII, of the National Museum of Fine Arts. 

This permanent exhibition, which was first launched in May 2013 as “Eskultor ng Lahing Filipino: Honoring the Life and Works of Guillermo Tolentino”, pays tribute to the artistry and contribution of Guillermo Tolentino in Philippine Art. This upgraded exhibition features works by and about Guillermo Tolentino, including the 14 sculptures of Tolentino donated by the Security Bank Corporation as Gifts to the Nation. 

This upgraded exhibition includes new acquisitions which form the National Fine Arts Collection and some entrusted to the Museum by donors and lenders. One of our newest acquisitions, The Bust of José Corazon de Jesus, popularly known as “Huseng Batute”, was completed sometime in the 1930s, and whose poem “Bantayog ng mga Bayani” describes Tolentino as “Eskultor ng Bagong Lahi.” Tolentino and De Jesus are good friends and the heirs of José Corazon de Jesus surmise that this bust was a gift of Tolentino to De Jesus. The poem written in Filipino, and translated into English by Marne Kilates is displayed in the hall. Tolentino’s medals and awards from the 1950s to the 1970s and pieces of his sculpting tools are a new addition to this upgraded exhibition. 

We express our sincere gratitude to Mr. Frederick Dy, Mr. Sanjiv Vohra, and the Security Bank Corporation as well as to our other donors and lenders for their continued support of our programs.

View this exhibition and more when you visit us! We are open from Tuesdays to Sundays between 9 AM and 6 PM. See you at your #NationalMuseumPH!

Article by the NMP Fine Arts Division

Photos by the NMP Museum Services Division

The National Museum of the Philippines (NMP), in partnership with the Gokongwei Brothers Foundation, Inc. (GBFI), launch the Elizabeth Y. Gokongwei Ethnographic Stoneware Resource Center (or EYG Resource Center) located at the 5F, East Wing of the National Museum of Anthropology in Manila on 11 June 2022. 

The EYG Resource Center houses over 1,000 jars, plates, and bowls from the National Ethnographic Collection dating from the 15th to the 20th century, from the different ethnolinguistic groups in the country, including Bontok, Ifugao, Ibaloy, Ilokano, Gad’dang, and Pangasinense communities in northern Luzon; Tagalog, Pala’wan, and Tagbanua communities in central and southern Luzon; and Maguindanao, Maranao, and Tausug communities in southwestern Mindanao. It also includes 73 Ilokano stoneware pieces which are part of the long-term lease of the Ilocos Historical and Cultural Foundation Collection to the NMP. 

Through this project, the NMP and the GBFI wish to provide an open research facility that will encourage more students, educators, and researchers to engage in documenting ceramic traditions in the country and gain a better understanding of the breadth and depth of these collections concerning Filipino culture and identity. The NMP also aims to showcase best practices in collections management including documentation, proper handling, maintenance, and universal access. A designated space for documenting incoming and outgoing reference collections where they will be registered, assigned a number, examined, and photographed will be available for researchers who wish to access the catalog of the collections and examine selected objects with the supervision of the NMP collections managers. Museum visitors will be able to view the EYG Resource Center collection from outside of the hallway through its glass panels and observe how they are documented, maintained, and processed for exhibition, publication, and other educational programs. This will foster a better understanding of the nature and roles of museums, which is not only limited to exhibitions or repository space but as actively engaged in the process of preservation and promotion of cultural objects along with their stories.

This partnership will also develop corollary programs such as special tours, internships, and other educational activities as avenues to promote projects that will engage the source and indigenous communities, colleges and universities, cultural agencies, and private individuals or organizations. Free digital and print publications will also be produced as additional reference materials.

A non-stock, non-profit corporation committed to helping uplift the socio-economic condition of Filipinos through the funding of educational projects, GBFI believes that learning and education should encompass having an understanding of self and heritage, which is essential to the holistic development of the Filipino learner. On the other hand, the NMP as one of the primary cultural institutions in the country, is mandated to disseminate knowledge and raise awareness about the rich cultural heritage of the Philippines. 

#Ceramics
#PhilippinePottery
#EYGResourceCenter

Text and Poster by the NMP Ethnology Division

© 2022 National Museum of the Philippines

The #NationalMuseumPH opens a special exhibition on the works of National Artist for Painting Fernando Amorsolo y Cueto (1892-1972).

Inside the Museum Foundation of the Philippines Hall (Gallery X) at the National Museum of Fine Arts is a special exhibition, “Remembering Fernando Amorsolo on his 50th death anniversary.” This gallery features 11 oil paintings of National Artist Fernando Amorsolo from the collection of the Philippine Normal University (PNU), the National Fine Arts Collection (NFAC), and the Government Service Insurance System (GSIS) which were previously exhibited at the GSIS Northeast Hall (Gallery XX). Also included are two rare oil paintings of his younger brother, Pablo Amorsolo (1898-1945) from the NFAC, which also deserve to be exhibited in this hall alongside his brother’s paintings.

Shown to the public for the first time and one of the main highlights of this exhibition are two noteworthy paintings of Amorsolo from the collection of the Philippine Normal University entitled, “Mother and Child” and “Paoay Church”. These two pre-war works of oil on canvas, completed in 1943 and 1933, respectively, show the mastery of the artist in his use of light and color and were produced during the height of his artistic career. In 2020, the paintings were transferred to the NMP for safekeeping, conservation, and exhibition. The NMP expresses its heartfelt thanks to PNU, represented by its President, Dr. Bert Jazmin Tuga, for its generosity in lending these masterpieces for public appreciation.

Fernando Amorsolo y Cueto was born in Paco, Manila on May 30, 1892. At a young age, he began studying art under his uncle, Fabian de la Rosa, and sold watercolor postcards at a local bookstore for 10 centavos each to help his family. His formal studies in art began at the Liceo de Manila where he gained honors in drawing and painting, after which he enrolled at the University of the Philippines School of Fine Arts (UPSFA), becoming one of its first of its graduates in 1919. He also studied at the Real Academia de Bellas Artes de San Fernando in Madrid, Spain in 1916 through a grant from entrepreneur Enrique Zobel de Ayala. During his training abroad, he acquired the techniques he needed to improve his art further. His style included rapid, fragmented brushwork in impasto, portraying genre scenes, and landscapes of the countryside that he is known for. After his studies, he worked as a draftsman for the Bureau of Public Works, as an artist at the Pacific Commercial Company, as a part-time instructor in UPSFA and later as its director from 1938 until 1952. He was bestowed the official title “Grand Old Man” with the inauguration of Manila Hilton’s art center on January 23, 1969 exhibiting a selection of his works.

Amorsolo passed away on April 24, 1972 at the age of 79 and was posthumously proclaimed as the first National Artist of the Philippines three days after his death.

Visit us after the Lenten Holidays and head on to Gallery X to view this special exhibition. Admission is free and walk-in visitors are accepted.

#FernandoAmorsolo
#MuseumFromHome

Text and photos by NMP-FAD© 2022 National Museum of the Philippines