Special Artillery Projectiles | San Diego Shipwreck

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  Main Poster, Special artillery projectiles including bar shots (bs), and chain shots (cs) from the San Diego shipwreck.

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  Speculative 3D assembly of bar shots from the San Diego shipwreck. Image Source: © 2022 NMP-MUCHD

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  Speculative 3D assembly of chain shots from the San Diego shipwreck. Image Source: © 2022 NMP-MUCHD

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  Double-barreled cannon in Athens, Georgia, USA, invented by John Gilleland in 1862. Image Source: Kaushik Patorwary 2017 from https://bit.ly/3JOMRol, © J. Stephen Conn/Flickr.

Today, the #NationalMuseumPH celebrates the life of Manlilikha ng Bayan Masino Intaray, an outstanding storyteller and musical genius well-acquainted with the traditional instruments of the Pala’wan people. 

The Pala’wan, along with the Batak and Tagbanwa, is one of the indigenous communities living in southern Palawan. They are known to be an egalitarian society, firmly believing that no one owns the land, sea, sky, and other natural elements. They value harmony with their natural environment and among themselves that sharing is an inherent part of their community. One of their most important rituals, the tambilaw – a collective cooking and sharing of rice and ritual offering to Ampo’t Paray (god of rice) – is a testament to this. 

Born in Brooke’s Point, Palawan, MB Masino Intaray embodies the characteristics of a Pala’wan whose life is deeply entwined with nature and his community. Aside from mastering the basal (gong ensemble) and kulilal (lyrical poem with lute and zither accompaniment) and bagit (instrumental music depicting the rhythms, movements and sounds of nature), he also plays the aroding (mouth harp) and the babarak (ring flute). 

MB Masino Intaray was also a prolific poet, well-versed in oral traditions such as tultul (epics), sudsungit (narratives), and tuturan (myths of origin and teachings of ancestors). His being attuned to nature, sense of spiritual purpose, and creative memory allowed him to chant for longer hours on successive nights. 

Along with the basal and kulilal ensemble, MB Masino Intaray was conferred the Gawad sa Manlilikha ng Bayan in 1993 for his significant contribution to literature and performing arts. He passed away in his hometown at the age of 70 after succumbing to a series of strokes compounded by his diabetes. He left behind his wife and 4 children. His legacy, however, remains in his community, along with his enduring contributions to the rich cultural heritage of the Filipino nation.

#MBMasinoIntaray
#ManlilikhaNgBayan
#GAMABA
#Palawan

Text and poster by the NMP Ethnology Division

Photo courtesy of the NCCA GAMABA Executive Council

© 2022 National Museum of the Philippines

Today, as we celebrate the 80th birth anniversary of National Artist for Visual Arts Benedicto Reyes Cabrera, born #OnThisDay in 1942, we feature the artist himself in his painting, “Self” from the National Fine Arts Collection (NFAC).

Completed in 1965, this acrylic painting is a self-portrait and an early work of the artist. It represents himself as a young man painted in an impasto of earth tone colors in brown and greenish-gray. This portrait is far from the usual thematic works and familiar images he had later launched. BenCab is a painter and printmaker.  

Benedicto Cabrera was born in Malabon, Manila to Democrito Cabrera and Isabel Reyes, on April 10, 1942.  At six months old, his family moved to Santa Cruz, and later to the district of Tondo, Manila.  At a young age, BenCab’s older brother Salvador, an established artist, has influenced and exposed him to the arts. He won his first award when he joined a poster-making contest with a theme of human rights when he was in sixth grade at Balagtas Elementary School in Bambang. He enrolled at UP College of Fine Arts in 1959 but had to leave school and worked as an illustrator for magazines Liwayway and The Sunday Times before going full-time in painting.  His early works depict scavengers, barung-barong, and Sabel, the woman scavenger in his area.  Later his works reflect social commentaries on the American and Spanish influences.  He held his first solo exhibition at the Indigo Gallery in Ermita, Manila in 1966.  From the 1970s to the 80s, he held solo exhibitions and joined group shows here in the Philippines and abroad. Among these are the Six Artistes Contemporains Philippins en Europe in Paris; Philippine Printmakers at the Royal Festival Hall in London; Philippine Graphic Art exhibit in Munich; and the 8^th Biennale Internationale de Arts in Valparaiso, Chile.  

He has exhibited widely and has won awards. He received the Gawad CCP Para sa Sining in 1992.  He was conferred with the Order of National Artist for Visual Arts in 2006.

This painting is on exhibition at Gallery XIX, Third Floor, National Museum of Fine Arts.

Follow this page for more features from the National Fine Arts Collection.  The #NationalMuseumPH is now open to the public.  View the link for the 360 degrees virtual tour of the nine select galleries at the National Museum of Fine Arts:  http://pamana.ph/ncr/manila/NMFA360.html

#OnThisDay
#BenCab
#BenedictoCabrera
#MuseumFromHome

Text by NMP-FAD

Photo by Bengy Toda

© 2022 National Museum of the Philippines

Palm Sunday (Linggo ng Palaspas or Domingo de Ramos) marks the beginning of Holy Week (Mahal na Araw or Semana Santa), which narrates Jesus’ final days in Jerusalem. On this day, devotees bring plain or ornate palm fronds (locally referred to as palaspas, palapa, langkay, lukay, or ramos) to church to re-enact the arrival of Jesus in Gethsemane where people welcomed Him while waving palm leaves. 

Palms are blessed during the Mass and brought home to be placed on home altars, doors and windows with the belief that these ward off evil spirits. According to Mr. Elmer Nocheseda, author of “Palaspas: An Appreciation of Palm Leaf Art in the Philippines” published in 2009, early Christians considered the palm as a symbol of victory of the faithful over the enemies of the soul and thus used symbolically for those who died as martyrs of the faith like San Lorenzo Ruiz and San Pedro Calungsod. 

The palaspas is primarily made from coconut palms (Cocos nucifera L.), but other plant species such as the century plant (Agave americana L.; A. cantala Roxb.), buri (Corypha utan Lam.), and oliva (Cycas revoluta Thunb.) can also be used. Traditionally, the head of the family or the male members of each household would gather and make the palm a day or two before Palm Sunday. Nowadays, palaspas can be bought outside the church. Some palaspas are plain, while there are also those that are decorated with colorful plastic ribbons, paper flowers, and images of saints, Mary, and Jesus, among others. 

After a year, these are gathered and burned by the church wherein the collected ashes are used during Ash Wednesday, the start of the 40-day Lenten Season. Among agricultural communities in the provinces of Bohol and Batangas, ashes gathered from burnt palaspas are mixed with commercial or organic fertilizer with the belief that when scattered in the cultivated areas, these will increase their harvest. 

To further commemorate the Lenten season, the #NationalMuseumPH presents a lecture and demonstration on palaspas by Mr. Nocheseda accessible through these links: https://www.youtube.com/watch?v=yeSFTtr6DGc and https://www.youtube.com/watch?v=nlRuExzglLk. 

#MahalNaAraw2022
#HolyWeek2022
#Palaspas
#PalmSunday

Text and video by the NMP Ethnology Division and Exhibition, Editorial and Media Production Services Division

The lecture and demonstration were shown during the Laga, Tunos ken Pammati Story-Sharing and Demonstration of the NMP Ilocos on 22 March 2021

© (2022) National Museum of the Philippines