Traditional Food Wrappings in the Philippines

In celebration of the Filipino Food Month 2022, the #NationalMuseumPH explores Filipino gastronomy by featuring wrapped rice cakes, ground corn, mashed bananas and root crops using leaves from plants from different regions.

Filipino food ranges from sweet to savory, and from soupy to dry. Whether savory or sweet, food is usually served on platters, wrapped or unwrapped. For the former, the wrapper can be edible, folded, wound, or woven.

Common traditional food wrappers are leaves of banana, taro, coconut or buri, and corn sheaths. These are favored for their overall structure, pliable properties and aroma. Their inherent properties secure the food and prevent it from spilling—the broadness of banana leaves makes food wrapping easier as there is room for multiple folding while strips of coconut or buri leaves are woven into small containers.

Food such as suman Taal, suman sa lihiya, suman Bulacan/Tagalog, tamales, binot-ong, and sinaing na isda are cooked while wrapped in banana leaves. The pastil/pastel or cooked rice topped with sautéed shredded meat of Maguindanao and Maranao is also wrapped in a banana leaf and can be consumed on-the-go as well as the Palabok Tanza of Cavite and Pancit Habhab of Quezon.

The pusô in Visayas and Mindanao is rice cooked in woven pouch made from palm strips (Cocos nucifera) and usually paired with grilled meat. Palm strips are also used in wrapping and cooking suman sa ibos in Rizal, Aurora, Quezon, and Bicol. Dizon’s bakery of Cavite City, on the other hand, uses pandan (Pandanus sp.) as wrapped-around leaf to naturally infuse its aroma to pan de coco.

Edible food wrappers such as the lumpia wrapper made of cooked starch are used in making the fresh lumpia, fried spring rolls or lumpiang shanghai, and turon or fried plantain wrapped in lumpia wrapper covered with caramelized sugar. Taro or gabi leaf (Colocasia esculenta) is widely used in the Bicol region in coconut-based cooking—the spices and other ingredients of pinangat are wrapped in multiple layers of the leaf before stewing in coconut milk. The softened leaves due to long hours of cooking are edible and just perfect when mixed with the spices and other ingredients in it. Gabi leaves are also used in cooking another local dish called inun-on.

Food in traditional food wrappers is more sustainable and economical especially outside the metropolis. Traditionally wrapped food is an example of tangible cultural heritage, as it reflects the uniqueness of the cuisine in different regions.

#FilipinoFoodMonth2022
#FoodWraps

Text and poster by the NMP Ethnology Division

Photographs used courtesy of Jane Maren M. Dasal, Jessica T. Marquinez, Marites P. Tauro, Odie Dela Cruz/ The Dela Cruz Ancestral House, and Angel Weena Santos

© 2022 National Museum of the Philippines

KALUTANG: Marinduque’s Traditional Musical Instrument

Date: May 17, 2022

In celebration of National Heritage Month, the #NationalMuseumPH
invites you to a free webinar entitled “Kalutang: Marinduque’s Traditional Musical Instrument” on
17 May 2022 from 9 AM to 10:30 AM via Zoom Meeting.
The webinar aims to foster awareness and appreciation of the intangible cultural heritage of
Marinduque and encourage its safeguarding and transmission.
Kalutang is a musical instrument made of identical pair of wood from the kwatingan/twatingan
(Pterospermum obliqum) and bayog (Pterospermum diversifolum/P. acerifolium) trees. When
strike on particular points along their length, the wood produces notes of definite pitches and of
tonal quality that remotely resembles the sound of marimba and castanets. Kalutang is
classified as concussion idiophones composed of varying sizes. A band of 10 to 12 can create
music using this instrument.
Forester and Prof. Jovito L. Opeña of Marinduque State College (MSC) — School of Agriculture
will discuss the ecological status of kwatingan and bayog trees. Dr. Rex Emmanuel Asuncion,
also of MSC – School of Education will talk about the topic “Local Folk Music and Indigenous
Instruments of Marinduque.”
Participants can pre-register at this link: https://bit.ly/3HPqsVQ
Those who can’t join in Zoom can watch the webinar simultaneously at the National Museum
Marinduque-Romblon Facebook page. For inquiries, please call (042) 332-0507 or 0919-077-
9858 or email us at nm.mramso@gmail.com or marinduqueromblon@nationalmuseum.gov.ph
You may also visit the #NationalMuseumPH in Malusak, Boac. We are open from Tuesday to
Sunday, 9AM to 4PM.

Curator’s Talk

Date: May 18, 2022

FREE WEBINAR. Who’s up for a review on the archaeological studies in the Eastern Northern Mindanao, specifically in #Butuan?

In celebration of the International Museum Day (May 18) and National Heritage Month (May), your #NationalMuseumPH brings you “Curators’ Talk: The Beads, Boats, and Bowls of Butuan”, a free webinar on May 18, 2022, Wednesday, at 9am-12nn via Zoom and Facebook Live.

This is a three (3)-hour webinar to discuss and highlight the national archaeological collections excavated from Butuan and currently on display and are being conserved at the NMP-ENM and the National Museum of #Anthropology.

Resource persons shall be experts from the Archaeology Division to discuss the following topics: Overview and Updates of the Butuan Archaeological Project; Ceramic Collections from Butuan; and Lawson Heritage and Preservation. After the lectures, a question-and-answer portion shall follow.

Just fit for the #NHM2022 theme which says, “PAMANANG LOKAL: Binhi ng Kulturang Pilipino”, this activity aims at highlighting the importance of preserving and promoting local heritage within the community and its impact on shaping the Philippine cultural identity.

It is also aimed that through this event, we shall be able to generate the interest of educators and learners for further archaeological studies and research in the region.

The vicinity of Butuan, where the Regional Museum is located, has been recognized as an Archaeological Site by Presidential Proclamation 86 of President Corazon Aquino. Said proclamation declared the Balangay a National Cultural Treasure. Since then, Butuan became famous to contemporary society with the discovery of the first plank-built edge-pegged boat in the early 70s. In earlier times, around the 10th century or thereabouts, Butuan was already famous for other places in Southeast Asia and China for participating in the Southeast Asian Maritime Trading. Involvement can be traced to the nine (9) boats identified then, the thousands of ceramic pieces and other artifacts recovered, and ecofacts.

The webinar will give further understanding of the maritime involvement of ButuanCity, its artifacts, and ecofacts that were recovered in association with boat-building, trade,and habitation. In partnership with the NMP Archaeology Division, the NMP-ENM targets to bring this online event to the history and social sciences educators and students in the region and in Mindanao.

Should you want to learn more about these, join us and pre-register through this link: bit.ly/cutalk518.

We look forward to your active participation!

Pamanang Pilipino: Puno, Palayok, Pinsel – A ONE-DAY SPECIAL GUIDED TOUR

Date: May 18, 2022

In celebration of the National Heritage Month and International Museum Day, the #NationalMuseumPH through its Central Museum Visitors Operation Division (CMVOD), invites museum fans to join a One-Day Special Guided Tour entitled “Pamanang Pilipino: Puno, Palayok, Pinsel”, on Wednesday, May 18, 2022. The activity will be simultaneously conducted at 10 am and 2pm in all three buildings of the NMP complex namely – National Museum of Fine Arts, National Museum of Anthropology, and National Museum of Natural History.

For those who want to join the activity, you may register with our frontline staff stationed near the entrances of our museum buildings at least 10 minutes prior to the start of the tour. Slots are limited to a maximum of 25 participants per session to practice social distancing and ensure safety.

Through its interpretive services, the National Museum aims to educate and inspire its
visitors on the importance of promoting, preserving, and protecting the rich cultural
heritage and natural resources of the Philippines.

SEE YOU THERE!

#NHM2022
#NationalHeritageMonth
#PamanangLokal

Seminar on Museum Practices

Date: May 18, 2022

Even in this time of the new normal, the #NationalMuseumPH remains in service to the public through its offering of different educational programs/activities from its central office and regional museums nationwide. This year, as the NMP participates in the celebration of the International Museum Day, the Museum Services Division invites the public to its Seminar on Museum Practices program with the theme “Building Resilience Towards NMP’s Collections And Heritage Management: Exhibition, Curation, Preservation & Digitization”.

The Seminar on Museum Practices is a regular program of NMP that was conceptualized to uphold transparency on the museum’s various programs and efforts in achieving its goals.  It intends to create venue for curators, researchers, conservators, and other museum workers to report to the public their recent and ongoing programs and projects participation to various local and international trainings and conferences in various fields of museum work. These include research, conservation, exhibition, museum management, and public programs.

The seminar is a half-day (3 – hour) series of lectures that will feature NMP staff from the central and regional museums. Ms. Honey P. Beso of the NMP Western Visayas Regional Museum, and Ms. Malot Ingel of NMP Ilocos Regional Museum Complex will present about their three-week CollAsia training course on “Planning New Exhibitions: Conservation, Communication, Community” that was held at the Lao National Museum in Vientiane, Laos.   There will also be a presentation on the “Challenges and Opportunities in Conveying Underwater Cultural Heritage During the Pandemic” that will be discussed by Mr. Nero Austero from the Maritime and Underwater Cultural Heritage Division.

The activity will be on May 18, 2022, 9:00 a.m. to 12:00 p.m. and will be open to the public for free which can be attended through Zoom Meeting and Facebook Live. It can also be attended onsite but on a limited capacity at the Auditorium, Ground Floor, National Museum of Fine Arts, Padre Burgos Ave., Manila. Kindly register thru the link https://bit.ly/SOMP2022

Please register early as we have limited slots for the onsite participants. An e-mail confirmation with the Zoom link will be sent to the registered e-mail address of the confirmed participants.

For more information, contact the National Museum of the Philippines’ Museum Services Division, Education and Training Services Section at educationandtraining@nationalmuseum.gov.ph

#IMD2022
#NationalMuseumPH
#NHM2022

Birth Anniversary of Hernando R. Ocampo

On the occasion of his 111th birth anniversary, the #NationalMuseumPh honors National Artist HR Ocampo, born #OnThisDay in 1911, through his works at the National Museum of Fine Arts’ Pillars of Philippine Modernism Exhibition. 

Better known as HR Ocampo, Hernando Ruiz Ocampo was born to parents Emilio Ocampo and Delfina Ruiz in Sta Cruz, Manila on April 28, 1911. He took up several courses in college, including pre-law at the Letran College (1928-29), commerce at the Far Eastern University (1929-1930), and creative writing at the Valenzuela School of Journalism (1930-1931). 

Ocampo is a self-taught artist who learned to draw and paint from magazines. He is considered one of the three significant figures of neo-realism in the country, together with Vicente Manansala and Cesar Legaspi. He was listed among Victorio Edades’ Thirteen Artists who rebelled against the conservative style of painting and introduced modern art in the Philippines in the early 20th century. Throughout the five decades of his artistic career, he stayed true to his principles of searching for unity, coherence, and emphasis in his works. 

Throughout the 1960s, his art shifted from being a neorealist to an abstract non-configurative painter. His works were then characterized by biomorphic shapes vividly colored in hues of red, orange, yellow, green, blue, brown, and black which he humorously depicted as paint by number. His usual painting process is to outline and put a number on each section or shape on the canvas. He would then fill each shape with a specific color corresponding to his assigned numbers. His meticulous and diligent artistic process is demonstrated in his five-part work entitled “Creating Cierna” (1968, mixed media on paper). This series of drawings is currently at the Pillars of Philippine Modernism Exhibition at the National Museum of Fine Arts. 

Ocampo passed away in Caloocan City in 1978. He was posthumously conferred with the National National Artist for Visual Arts Award in 1991. 

#MuseumFromHome
#HernandoOcampo
#HROcampocampo
#PhilippineArt
#AbstractArt
#ModernArt
#PhilippineModernArt

Text and photo by NMP FAD