Author: National Museum of the Philippines

Batanes Neolithic Artifacts

For this week’s #TrowelTuesday, we are featuring the Neolithic artifacts of the Batanes Islands.

The Neolithic Period in Southeast Asia is described as a transition from hunter-gatherer population to village farmers. Discovered artifacts supporting such transition included polished stone adzes and axes for boat-building, distinctive red slipped pottery with circle stamped decorations, stone bark cloth beaters, spindle whorls, and fishing implements, among others. The pottery, seldom found intact, are either plain or with decorative patterns that include circle stamps, cord marks, dentate impression, and incision. The presence of Neolithic artifacts is recognized as part of the spread of the languages and culture of Austronesian – a language family previously known as the Malayo-Polynesian group of languages that spread across Mainland and Island Southeast Asia.

In the Philippines, the Neolithic Period is estimated to be about 4500 to 2500 years ago. Archaeological evidence for Neolithic culture found in the Batanes Islands included artifact remains of polished adze technology and the red slipped wares (earthenware pottery) with circle stamps and cord-impressed marks, providing information on the earliest settlement established at about 4000 years ago. Batanes was inhabited by Austronesian-speaking people who probably reached the islands by boat or raft about 4500 years ago. 

Research done through archaeology, comparative linguistics, and human genetics proved these early settlers’ connection to Austronesian speakers that originated from Taiwan. Studies made by archaeologists Hidefumi Ogawa, Peter Bellwood, Eusebio Dizon, and Hsiao-chun Hung shed light on the Austronesian occupation of Batanes Islands. For instance, Hung and coauthors’ 2007 publication discussed Fengtian nephrite, which was exploited in Taiwan around 4500 years ago, and brought to the Philippines about 3800–3500 years ago and manufactured as lingling-o or split earrings, and other ornaments.  

Pottery assemblage from Torongan Cave and Reranum Rockshelter in Itbayat Island in Batanes consisted of plain red slipped pottery, circle-stamped sherds with lime or clay infilling, and cord-marked design that established a baseline for the Batanes Neolithic period as early as about 3500 years ago.  Stone artifacts found in the Batanes Islands, particularly in the sites of Sunget and Anaro, consisted of adzes with asymmetrical bevels, flaked and hammer dressed hoes, bark cloth beaters, sawn and ground Taiwan slate points and knives, grinding stones, pendants, and side-notched pebble sinkers. These provided data on the late phase of the Neolithic Period from about 3000 to 2200 years ago. 

The #NationalMuseumPH is open to the public at a limited capacity. Explore more of our collections by booking through this website. 

#PhilippineNeolithicPeriod
#ArchaeologyOfBatanesIslands
#MuseumFromHome

Text by Ame Garong and poster by Timothy James Vitales

© 2022 National Museum of the Philippines

Pagkawin: The Traditional Wedding Ceremony among the Sama-Tabawan

In the continuing celebration of the #NationalArtsMonth and love month, the #NationalMuseumPH sheds light on the pagkawin practice among the Sama-Tabawan in the island of Tabawan in Tawi-Tawi province, a traditional wedding ceremony of the Muslims in southern Mindanao. As a community affair, the pagkawin is made festive by the colorful garbs of the wedding attendees, the dancing of the igal (traditional dance), and the pag-usunga wedding procession practiced only by one lineage, and thus only seen in Tabawan Island.  

The Sama-Tabawan, known to be in commune with the elements and nature, have their rituals, including the pagkawin, guided by the phases of the moon. They usually hold the pagkawin during the full moon, creating a festive atmosphere as the wedding celebration carries on into the night. 

A day before the pagkawin, the bride of the family receives in their home the song (dowry) which may consist of the wedding ring, Qur’an, wedding gowns, bridal shoes, cash, tepo (mats), as well as sugar, packs of cigarettes, panyam (rice cake), and ja (crunchy noodle rice roll). After which, the imams, community elders, and the parents of the couple conduct the pagduwaa pasalamat (thanksgiving prayer).

The bridal carriage tradition called pag-usung however is unique to the Pua family, who descended from the ancestral lineage of previous datus (noble chiefs) and dayang-dayang (princesses). In the pag-usung, the bride is carried and paraded on a kantil (wooden bed) decorated with luhul (canopy) and intricate ukil carvings. Elders performing the igal and playing the agung (bossed gong) join the bride’s entourage from her ancestral house to her maternal house where the groom waits for the wedding ceremony. If the groom is the eldest son of the Pua family, a kantil in the shape of a sea vessel decorated with colorful flags is used. According to their tradition, the pag-usung is carried out to prevent misfortune, sickness, and miscarriage. 

As night descends, igal performances—such as igal pangasik, a traditional courtship dance where the man imitating a rooster attracts and pursues the woman—are performed by the relatives of the bride and groom. Underneath the full moon, they dance with rapid footsteps, shrugging of shoulders, and swaying of arms along with the rhythmic beats of the tagunggu’an ensemble. This part of the celebration becomes intimate since the igal performances can only be viewed by relatives and invited friends of the bride and groom. 

To learn more about the Sama-Tabawan culture, you may watch this virtual tour of the “Tabawan: The Island of Pre-Islamic Rituals and Traditional Practices in Tawi-Tawi” Photo Exhibition, which includes a section on the pagkawin, featured at the National Museum of Anthropology in Manila on May 15, 2021, until January 3, 2022.

#Pagkawin
#SamaTabawan
#TawiTawi
#TraditionalWeddingCeremony
Text by the NMP Ethnology Division and Paul Quiambao

Photo courtesy of Mr. Paul Quiambao (2019)

© 2022 National Museum of the Philippines

Seguyun and Sebalang: Music in Tboli Courtship and Marriage

Your #NationalMuseumPH features the seguyun and the sebalang—musical genres performed by the Tboli of South Cotabato during courtship and marriage as part of our #MuseumFromHome program as we celebrate the love month and also the #NationalArtsMonth.

Music plays an inherent role in marking the courtship between a Tboli man and woman as the seguyun is performed to publicly announce the sewol (courting) to the community. It is performed by men and women playing the hegelung/agelang (two-stringed lute) and s’ludoy (polychordal bamboo zither), respectively. The two players utilize unique variations that aim to produce a coordinated tempo and complementary rhythm instead of playing in unison. 

Sebalang is performed during the moninum (marriage negotiation ceremony). In contrast to the seguyun, the sebalang is performed by two pairs, each consisting of a man and woman. One pair plays the slagi setang (gong ensemble) while the other plays the t’nonggong ne kasal (drum and percussion sticks). Dancers also accompany the performance of the pairs as they play two different tempos at the same time. 

The other aspects of the moninum is also characterized by competitions which play out the tensions between the family of the bride and the groom. Men from each family participate in setolu (singing debates) to negotiate on wealth exchange. They also hold seket kuda (ritual horse fights) to symbolize the polar opposites between the family of the bride and the groom. Ultimately, however, the moninum is an instrumental ceremony through which they recognize and affirm the bond between their communities. 

The #NationalMuseumPH is now open to vaccinated individuals and their children. You can check some of these instruments located at the 3F, Lumad Gallery of the National Museum of Anthropology.

#Seguyun
#Sebalang
#Tboli

Text and poster by the Ethnology Division

© 2022 National Museum of the Philippines

Mobile Museum Boxes Exhibit

Mobile Museum Boxes Exhibit launched at the Santa Barbara Centennial Museum in Santa Barbara, Iloilo

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Discover the richness of Visayas biodiversity by visiting the Mobile Museum Boxes traveling exhibition “Conserving the Natural History of the Visayas Region” at the Santa Barbara Centennial Museum in Santa Barbara, Iloilo.

The exhibit was opened to the public on February 14. Santa Barbara LGU officials led by Mayor Rema Somo, together with representatives from the Departments of Education and Tourism, the academe, and cultural workers from Iloilo, graced the opening ceremonies.

The Mobile Museum Boxes is a joint project of the National Museum of the Philippines (NMP) – Botany and Herbarium Division, the Western Visayas Association of Museums, Inc. (WVMI), and the Forest Foundation of the Philippines (FFP).

The 12 museum boxes were brought and launched in Eastern Samar State University in Borongan, Eastern Samar in 2019 and were transferred to the University of Eastern Philippines in Catarman, Northern Samar. It was brought to the University of the Philippines Visayas Tacloban and Visayas State University in Baybay, all in Leyte province. Samar and Leyte have forest-protected areas supported by the Forest Foundation of the Philippines. After almost two (2) years of no mobility in Baybay because of the pandemic, the Mobile Museum Boxes were again resumed their travel to National Museum Bohol in Tagbilaran in October 2021.

Forester John Rey Callado, Museum Researcher II of the Botany and National Herbarium Division, stressed the importance of conserving Visayas forests as they host unique flora and fauna in his walk-through tour of the exhibition. He called on the educators to utilize the exhibition as a learning tool to raise public awareness on the importance of preserving and protecting the environment to biodiversity.

Santa Barbara Tourism Officer Irene Magallon invites the public to visit the museum from Mondays to Fridays, 9 AM to 4 PM following local health protocols. The Mobile Museum Boxes will be in Santa Barbara until April 13, 2022.

Text from National Museum Western Visayas

© 2022 National Museum of the Philippines

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BIRTH ANNIVERSARY OF MANLILIKHA NG BAYAN UWANG AHADAS

Today, the #NationalMuseumPH celebrates the 77th birthday of Manlilikha ng Bayan Uwang Ahadas.

Manlilikha ng Bayan Uwang Ahadas is gifted with a talent for music which he learned by simply observing the performances of the older members of the Yakan community. He is known for his mastery in playing traditional Yakan instruments such as the agung, gabbang, and kwintangan kayu. Agung (bossed gong) is meant to be played by men while the gabbang is a bamboo xylophone with a beater called lisag. The kwintangan kayu, on the other hand, is a set of logs of different sizes that are usually suspended under a tree near the rice fields, with the belief that its music is beneficial for the growth of rice. Despite the kwintangan being traditionally meant to be played by women, Manlilikha ng Bayan Uwang Ahadas mastered it at the age of 20.

He was conferred with the Gawad sa Manlilikha ng Bayan (GAMABA) in 2000 in recognition of his excellent contribution to the preservation of Yakan traditional music. Manlilikha ng Bayan Uwang Ahadas has been teaching his children along with other younger members of the community about Yakan music to ensure its transmission and continuity. A GAMABA Cultural Center dedicated to him is currently being built as part of the GAMABA program aim of the National Commission for Culture and the Arts (NCCA) to conserve Yakan culture and tradition.

#UwangAhadas
#ManlilikhaNgBayan
#GAMABA
#MuseumFromHome

Text and poster by NMP Ethnology Division

© 2022 National Museum of the Philippines

Fantail in Love

In celebrating #Valentine’s Day, here is the Philippine fantail Rhipidura nigritorquis (see photo of a pair Phil. fantail), a Philippine endemic found throughout the country.  This insect-eating bird is fairly common and can be encountered even in vegetated urban cities near coastlines. 

Have you noticed the fan-shaped tail?

Fantails are protective parents, that during the breeding season, they will attack any intruders who get near or under the nesting tree even if it includes a cat, a dog, and sometimes even humans!

And if you’re living in Manila and other coastal cities in the country, its sweet calls may wake you up in the morning! 

Compared to other animal groups, birds, in general, are “monogamous”, a habit of having only one mate at a time! A sweet manner fitted for this Valentine’s.

Text and video by NMP Zoology Division

© 2022 National Museum of the Philippines